{"id":1125,"date":"2021-04-21T10:02:15","date_gmt":"2021-04-21T09:02:15","guid":{"rendered":"https:\/\/www.adnsolution.net\/mba2\/?p=1125"},"modified":"2021-05-18T19:27:11","modified_gmt":"2021-05-18T18:27:11","slug":"1125-2","status":"publish","type":"post","link":"https:\/\/www.adnsolution.net\/mba2\/1125-2\/","title":{"rendered":"Mohamed Temam"},"content":{"rendered":"
\"\"Mohamed Temam, dont\u00a0 le Mus\u00e9e national des beaux-arts poss\u00e8de\u00a0 plusieurs \u0153uvres \u00a0de diff\u00e9rentes p\u00e9riodes\u00a0:\u00a0 une nature morte aux pommes,\u00a0 offerte \u00e0 l\u2019institution en 1938, un bord de rivi\u00e8re dans l\u2019esprit de Marquet, \u00ab\u00a0le bouquet\u00a0\u00bb,\u00a0\u00a0 \u00ab\u00a0l\u2019homme bleu\u00a0\u00bb,\u00a0 un portrait de femme, enfin \u00a0une rosace acquise apr\u00e8s son d\u00e9c\u00e8s aupr\u00e8s d\u2019une galerie, fut un peintre dont l\u2019art n\u2019a cess\u00e9 d\u2019osciller entre le traditionnel et le contemporain.<\/strong><\/div>\n
\n

\"\"Mohamed Temam, dont\u00a0 le Mus\u00e9e national des beaux-arts poss\u00e8de\u00a0 plusieurs \u0153uvres \u00a0de diff\u00e9rentes p\u00e9riodes :\u00a0 une nature morte aux pommes,\u00a0 offerte \u00e0 l\u2019institution en 1938, un bord de rivi\u00e8re dans l\u2019esprit de Marquet, \u00ab le bouquet \u00bb,\u00a0\u00a0 \u00ab l\u2019homme bleu \u00bb,\u00a0 un portrait de femme, enfin \u00a0une rosace acquise apr\u00e8s son d\u00e9c\u00e8s aupr\u00e8s d\u2019une galerie, fut un peintre dont l\u2019art n\u2019a cess\u00e9 d\u2019osciller entre le traditionnel et le contemporain.<\/p>\n

\u00ab\u00a0Cet homme, d\u2019une incommensurable libert\u00e9, a pu concilier une m\u00e9moire culturelle qui lui \u00e9tait propre \u00e0 celle d\u2019autres communaut\u00e9s humaines. Lorsqu\u2019il peint sur toile, son art l\u2019apparente \u00e0 l\u2019Europe et aux meilleures conventions de l\u2019art universel. La miniature, l\u2019enluminure sont en revanche les pleines expressions de son Alg\u00e9rianit\u00e9\u00a0 et de son adh\u00e9sion aux pr\u00e9ceptes de l\u2019art populaire comme \u00e0 ceux de l\u2019art arabo-musulman\u00a0\u00bb, est-il \u00e9crit \u00e0 propos de Mohamed Temam qui assume, pleinement cette dualit\u00e9 \u00ab\u00a0passant avec une aisance incomparable d\u2019une technique \u00e0 l\u2019autre en posant, pour chacune, les fondements d\u2019une \u00e9thique tr\u00e8s personnelle bas\u00e9e sur la sensibilit\u00e9 , l\u2019harmonie et la dimension mystique de l\u2019art\u00a0\u00bb.<\/p>\n

Dot\u00e9 d\u2019une solide formation pluridisciplinaire et d\u2019une riche culture universelle ainsi que\u00a0 d\u2019une cr\u00e9ativit\u00e9 en constant \u00e9veil, Mohamed Temam,\u00a0 tout en puisant ses sujets dans le patrimoine alg\u00e9rien, s\u2019int\u00e9ressait aux recherches plastiques men\u00e9es en Europe et aux nouveaux courants artistiques.<\/p>\n

C\u2019est ainsi qu\u2019apr\u00e8s avoir revisit\u00e9 l\u2019art traditionnel alg\u00e9rien en y ajoutant sa propre touche ou plut\u00f4t son g\u00e9nie,\u00a0 r\u00e9alisant tout d\u2019abord des miniatures et \u00a0des enluminures sur les th\u00e8mes de son enfance (architecture de la Casbah, bijoux, instruments de musique, mosqu\u00e9e\u2026), puis le plasticien est pass\u00e9 aux portraits, aux natures mortes, aux paysages peints dans un style acad\u00e9mique moderne, dans des tonalit\u00e9s qui apparentent aux meilleurs ma\u00eetres de l\u2019\u00e9cole de Paris des ann\u00e9es 30.<\/p>\n

\u00ab\u00a0Temam \u00e9tait un artiste trop individualiste pour s\u2019enfermer dans une d\u00e9marche picturale formelle, pour se contenter de l\u2019exploration d\u2019un champ pictural ou de l\u2019\u00e9laboration d\u2019un style. Son art est disparate, h\u00e9t\u00e9rog\u00e8ne et riche en emprunts divers (orientaux et occidentaux) sans aucun complexe\u00a0\u00bb, \u00e9crit M. Mohamed Djehiche, historien de l\u2019art ajoutant \u00ab\u00a0Temam a d\u00e9velopp\u00e9 une acuit\u00e9 particuli\u00e8re pour les objets et la nature qui l\u2019environnent et il s\u2019en sert avec beaucoup d\u2019adresse comme support \u00e0 la m\u00e9ditation et \u00e0 la r\u00eaverie\u00a0\u00bb, est-il ajout\u00e9.<\/p>\n

 <\/p>\n

BIOGRAPHIE<\/strong><\/p>\n

Mohamed Temam, dit Sid Ali, est n\u00e9\u00a0 le 23 f\u00e9vrier 1915 \u00e0 la Casbah d\u2019Alger. Il est l\u2019a\u00een\u00e9 de trois enfants (un gar\u00e7on et une fille).\u00a0 Il fr\u00e9quenta l\u2019\u00e9cole \u00ab\u00a0Brahim Fatah\u00a0\u00bb et\u00a0 le d\u00e9clic pour l\u2019art\u00a0 eut lieu en 1927 lorsqu\u2019il visita l\u2019exposition des \u00ab\u00a0Arts indig\u00e8nes alg\u00e9riens\u00a0\u00bb organis\u00e9e \u00e0 la medersa \u00ab\u00a0Bencheneb\u00a0\u00bb \u00e0 laquelle participait \u00a0Omar Racim\u00a0 (avec des miniatures).<\/p>\n

Il fr\u00e9quenta\u00a0 l\u2019Ecole des arts traditionnels de 1928 \u00e0 1936 o\u00f9 il eut comme enseignants Omar Racim et Omar Kechkoul\u00a0 qui \u00e9tait charg\u00e9 du cours\u00a0 de sculpture et de d\u00e9coration sur bois.\u00a0 Ses aptitudes sont telles qu\u2019il obtiendra 2 premiers prix et 4 seconds prix. Il d\u00e9couvre aussi la c\u00e9ramique dans l\u2019atelier de Mahieddine Cherrad.<\/p>\n

Il participa en\u00a0 1934 au 34\u00e8me Salon de la Soci\u00e9t\u00e9 des artistes alg\u00e9riens et orientalistes\u00a0 en y exposant six \u0153uvres. Trois miniatures intitul\u00e9es \u00ab\u00a0Fumeur de kif\u00a0\u00bb,\u00a0 \u00ab\u00a0 Po\u00e8te persan\u00a0\u00bb et \u00ab\u00a0Mejdoub\u00a0\u00bb et trois peintures (\u00ab\u00a0La pri\u00e8re du solitaire\u00a0\u00bb, \u00ab\u00a0Marocain\u00a0\u00bb et \u00ab\u00a0Bouzar\u00e9ah\u00a0\u00bb).<\/p>\n

Entre 1934 et 1935, il participa \u00e0 plusieurs expositions et Salons et obtint\u00a0 le prix d\u2019enluminure au Salon artistique de l\u2019Afrique du Nord. Il obtint\u00a0 une bourse d\u2019\u00e9tudes et s\u2019inscrivit \u00e0 l\u2019Ecole nationale sup\u00e9rieure des Arts D\u00e9coratifs de Paris. En 1937, il organise une exposition\u00a0 personnelle \u00e0 Alger et en 1938 participe au 13\u00e8me Salon de l\u2019Union artistique de l\u2019Afrique du nord avec une nature morte qu\u2019il offrira au Mus\u00e9e national\u00a0 des beaux-arts\u00a0 consacrant ainsi , comme l\u2019ont fait avant lui Mohamed Racim et Azouaou Mammeri , l\u2019entr\u00e9e de l\u2019art alg\u00e9rien dans ce mus\u00e9e renfermant des \u0153uvres \u00a0universelles.<\/p>\n

Durant la p\u00e9riode 1939-1943, il est mobilis\u00e9 de force dans l\u2019arm\u00e9e fran\u00e7aise puis arr\u00eat\u00e9 et emprisonn\u00e9\u00a0 par l\u2019arm\u00e9e allemande. \u00a0En 1941, 4 de ses \u0153uvres\u00a0 (2 natures mortes et 2 enluminures) figurent au 14\u00e8 Salon de l\u2019Union artistique de l\u2019Afrique du nord qui lui d\u00e9cerne une m\u00e9daille d\u2019argent.<\/p>\n

En 1944, il participa \u00e0 l\u2019exposition organis\u00e9e par Omar Racim au Cercle franco-musulman \u00e0 Alger avec 12 \u0153uvres\u00a0 et en 1946 ses \u0153uvres sont expos\u00e9es \u00e0 Oslo et Stockholm lors de la tourn\u00e9e organis\u00e9e par Mohamed Racim \u00a0et participa au Salon des peintres du Maghreb tout en exposant dans diff\u00e9rentes galeries d\u2019avant-garde.<\/p>\n

En f\u00e9vrier 1960, il exposa au Club des 4 vents (Paris) avec un collectif d\u2019artistes d\u2019Afrique du nord, notamment Khadda\u00a0; De plain-pied, le voil\u00e0 int\u00e9grait la nouvelle \u00e9cole de peinture qui venait de prendre racine au Maghreb.<\/p>\n

Pendant la Guerre de lib\u00e9ration nationale, il milita au sein de la F\u00e9d\u00e9ration FLN de France et \u00e0 l\u2019Ind\u00e9pendance du pays , il est nomm\u00e9 Conservateur\u00a0 du Mus\u00e9e national des Antiquit\u00e9s classiques et musulmanes, poste qu\u2019il occupa jusqu\u2019\u00e0 son d\u00e9c\u00e8s le 15 juillet 1988. Parall\u00e8lement, il enseigna \u00e0 l\u2019Ecole nationale des beaux-arts d\u2019Alger (la miniature et l\u2019enluminure) tout en participant \u00e0 la mise en place d\u2019expositions et de l\u2019Union nationale des arts plastiques (UNAP) dont il fut un des membres fondateurs.<\/p>\n

Il fut \u00e9galement sollicit\u00e9 pour des commandes officielles, la conception des dipl\u00f4mes pr\u00e9sidentiels, des maquettes de timbres et de billets de banque, tout comme il pr\u00e9sida \u00e0 diff\u00e9rents jurys de distinctions artistiques.<\/p>\n

Sources biographiques \u00ab\u00a0Le message du ramier\u00a0\u00bb, MNBA, 2007.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Mohamed Temam, dont\u00a0 le Mus\u00e9e national des beaux-arts poss\u00e8de\u00a0 plusieurs \u0153uvres \u00a0de diff\u00e9rentes p\u00e9riodes\u00a0:\u00a0 une nature morte aux pommes,\u00a0 offerte \u00e0 l\u2019institution en 1938, un bord de rivi\u00e8re dans l\u2019esprit de Marquet, \u00ab\u00a0le bouquet\u00a0\u00bb,\u00a0\u00a0 \u00ab\u00a0l\u2019homme bleu\u00a0\u00bb,\u00a0 un portrait de femme, enfin \u00a0une rosace acquise apr\u00e8s son d\u00e9c\u00e8s aupr\u00e8s d\u2019une galerie, fut un peintre dont l\u2019art …<\/p>\n","protected":false},"author":1,"featured_media":966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-1125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-personnalites"],"yoast_head":"\nMohamed Temam - Le Mus\u00e9e Public National des Beaux- Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.adnsolution.net\/mba2\/1125-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mohamed Temam - 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